Showing posts with label ecocide environmentalism. Show all posts
Showing posts with label ecocide environmentalism. Show all posts
Sunday, December 29, 2013
RECOMMENDED READING FOR THE SADISTS PET: NSA, THE WORLD'S UBER-LURKERS
(Added after posting:
December, 30, 2013
To Protect & Infect
Jacob Appelbaum
IF YOU ARE A SENTIENT BEING ON THIS PLANET
YOU MUST WATCH THIS:
http://m.youtube.com/watch?v=b0w36GAyZIA&desktop_uri=%2Fwatch%3Fv%3Db0w36GAyZIA)
----- /CALLAS http://www.goear.com/listen/971dea9/habanera-de-carmen-maria-callas /------
The NSA is everyones most unfathomably disturbing nightmare.
Adding to their completely useless & unremarkable fascist skill sets today is 'uber-lurking': maliciously abusing everyone on the planet, our tax dollars, our rights & privacy, our planet & technology.
Serious reading for the world citizen:
12/29/2013
Inside TAO
Documents Reveal Top NSA Hacking Unit
By SPIEGEL Staff
http://m.spiegel.de/international/world/a-940969-3.html
12/29/2013
Shopping for Spy Gear
Catalog Advertises NSA Toolbox
By Jacob Appelbaum, Judith Horchert and Christian Stöcker
http://m.spiegel.de/international/world/a-940994.html
& see:
The Mass Psychology of Fascism -
Reich
PDF
http://www.whale.to/b/reich.pdf
-
& added Jan 2 2014: http://thedesk.matthewkeys.net/2014/01/01/american-companies-respond-to-new-nsa-hacking-claims/
Wednesday, February 8, 2012
The reasons why my interview with Pedro Velez from 2007 is misleading
I've been told by friends that this would be important to blog, so I am blogging it..
To most people who view an old interview/studio visit I did with Pedro Velez in 2007, it's a horrible interview.. But there are still people who are not skeptical of how I & my work are presented in it.
At the time- I was being bullied, threatened & harassed by a Chicago 'painter' (& some might say I still am) & Velez was seeking to align himself with him.. Also Velez is a former 'artist' cum 'critic'-.
There has been a decent amount of my work that I am willing- to share on the net since 2007 (CLICK) & this finished work & more was available in my studio at the time of Velez's visit.. But instead of noting the literature that I read- & instead of taking a half way decent photograph of plenty of finished work, he took a bad & poorly edited photo of the top- of a minor & unfinished small painting & described it in a way that is self explanatory as to his internalized notions of me & my work..
The interview speaks for itself (again for most skeptical people) but in case there is need for clarification- the flattery of being compared to Leon Golub & some noteworthy attention to my Hamas series aside- Velez was basically trying to intentionally or unintentionally make me look bad.
Link to old 'interview' of 2007: (click)
ALIVE AND KICKING
by Pedro Vélez
part 1: The Studios
To most people who view an old interview/studio visit I did with Pedro Velez in 2007, it's a horrible interview.. But there are still people who are not skeptical of how I & my work are presented in it.
At the time- I was being bullied, threatened & harassed by a Chicago 'painter' (& some might say I still am) & Velez was seeking to align himself with him.. Also Velez is a former 'artist' cum 'critic'-.
There has been a decent amount of my work that I am willing- to share on the net since 2007 (CLICK) & this finished work & more was available in my studio at the time of Velez's visit.. But instead of noting the literature that I read- & instead of taking a half way decent photograph of plenty of finished work, he took a bad & poorly edited photo of the top- of a minor & unfinished small painting & described it in a way that is self explanatory as to his internalized notions of me & my work..
The interview speaks for itself (again for most skeptical people) but in case there is need for clarification- the flattery of being compared to Leon Golub & some noteworthy attention to my Hamas series aside- Velez was basically trying to intentionally or unintentionally make me look bad.
Link to old 'interview' of 2007: (click)
ALIVE AND KICKING
by Pedro Vélez
part 1: The Studios
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